Code Red urges ‘authenticity’ at Sumfest Global Sound Clash

As the anticipation builds for the Reggae Sumfest Global Sound Clash, one of Jamaica’s finest, Code Red Sound System, is gearing up for a night of intense competition and unparalleled entertainment on Wednesday, July 17, at the Catherine Hall Stadium in Montego Bay.

With six members strong – ZJ Rush, Code Lank, ZJ Spectre, Sigar, Sisco and Chris Dymond – Code Red Sound System has been named a powerhouse in the dancehall scene since 2001. For over 23 years, they have distinguished themselves with their unique style of juggling, often being a preferred choice to close shows with their vibrant and culturally rich performances.

Chris Dymond, a key member of Code Red, shared excitement and gratitude for their selection.

“We have been selected to represent for dancehall culture. I think another sound system was needed for the line-up [so] there was a vote and Magnum Tonic Wine selected us. We’re going to ensure we do our best to represent and represent well,” Dymond said.

The Magnum Tonic Wine-sponsored event promises to be a highlight of the festival, featuring top-tier sound systems from around the world, including defending champion Dynamq from South Sudan, Warrior Sound from Germany, and Notorious International from Japan. Code Red and Bodyguard Sound will represent Jamaica.

Last year, dancehall and sound clash culture enthusiasts witnessed Dynamq walking away with the trophy, the 2023 Global Sound Clash title and bragging rights after conquering Code Red in the final round. The South Sudan sound also received an unexpected $1 million cash prize from Magnum Tonic Wine, but Code Red is not daunted by that outcome, said Chris Dymond.

Code Red holds a few titles of its own, including the 2022 World Clash Champion and they are the first sound from Jamaica in almost 20 years to win a mainstream clash in Germany having defeated Poland’s Splendid Sound.

Reflecting on the challenges faced in sound system culture, Chris Dymond said, “The youth in Jamaica are not getting the clash experience we would have in late ‘90s to early 2000s because it has become more difficult to get the permits to carry on late. Oftentimes clashes get locked off early before it reaches a high point. When we participate in those events overseas, we clash until 5 am, when the sun is coming up.”

“Most Caribbean countries, and globally, are using our music in the original style of clashing. Dem a cut di dub the way we used it, with the real lyrics and content. We have to work 10 times harder than the foreign sounds to win a clash, especially when we can’t be our authentic selves [who] people are used to and want to see. Now, we’re not encouraging people to use a lot of profanity, but let’s not water it down so much that it loses authenticity,” the selector added.

Despite the challenges, Chris Dymond said that Code Red remains committed to delivering high-energy performances that resonate with both local and international audiences.

“For the Global Sound Clash, we want everybody to come out and support the culture. It’s not a side-picking thing, but for people to cheer on the sound system when dem represent fi di culture and to enjoy some Magnum, a brand which has represented the culture for the 25 years they have been around. Just come hol’ a vibes and have some fun,” Chris Dymond remarked.

Preparations for the event were affected by the recent passing of Hurricane Beryl but Code Red is poised for yet another exciting, competitive showcase. Winning it would be a plus.

entertainment@gleanerjm.com